In all my wildest dreams or thought-out predictions about Jpop acts making it in America, I never would’ve pegged H!P to make the move and launch singles and concerts – especially not with a side project that includes ex-Momusu members, punk cats, and crazy hair.
But it looks like Hangry & Angry is really going to go for it.
Filed under: Amuro Namie, Angela Aki, Aoyama Thelma, ayaka, Ayumi Hamasaki, BoA, chatmonchy, Hello! Project, Jpop, JYONGRI, Kimura Kaela, Koda Kumi, Leah Dizon, Nakashima Mika, Opinion, Otsuka Ai, Perfume, PUFFY, Tsuchiya Anna, Utada Hikaru, YUI, Yuna Ito
With Hikki working on her second English album, the question really still stands: if one j-pop diva or female group would make it in the English music industry, who would it be? After all, basing on the American charts, popular songs by female artists are rather limited. Pretty much most are R&B/hip hop hits (Rihanna, Beyonce, Fergie, Danity Kane, Mariah Carey, Leona Lewis), a smattering of pop rock (Colbie Caillat, Natasha Bedingfield, Paramore) and occasionally, a big pop song that makes it (Miley Cyrus).
So if all our favorite j-pop girls give it a try, who has the best chances of breaking into the market?
I love Hikki and I love “Exodus,” but let’s face it – “Exodus” was brilliantly experimental and alternative but nowhere near mainstream. If she does her next English album in her Cubic U style or in her Japanese music style, she’d have a chance, but her idea of American mainstream R&B is a little too alternative. Unless she completely changes her image and sound, she won’t make it in the urban music genre she’s aiming for. But she does have beauty, quirkiness, and her language – she just needs to tailor herself to be more mainstream. Chances: 60%.